Who is “Cannes”?

Thanks to the terrific petition posted yesterday by Melissa Silverstein, we now have an answer to the question I asked earlier today:

“Who is ‘Cannes’?”

And the answer: Surprise! Surprise!! ”Cannes” is disproportionately male!!!

Not only that, but the men on the jury are primarily filmmakers (a more powerful role), whereas the women who are on the jury are primarily actresses (a less powerful role).

Here is the main thing I have learned these past ten years from Martha Lauzen: Don’t look for justifications & don’t question motives. Just keep track of the [dismal] numbers & force those who create them to live with the results.

These numbers really do speak, & sooner or later everyone will finally hear what they say!

Meanwhile over 200 people have already signed Melissa’s online petition, so add your name to this important cause ASAP:

https://www.change.org/petitions/cannes-film-festival-where-are-the-women-directors?utm_medium=facebook&utm_source=share_petition&utm_term=share_button_modal

Let’s go viral & hold their feet to the fire!

“Cannes 2012″ chart copyright Jan Lisa Huttner (5/16/12). And click HERE for my most recent evidence that, yes, ”the gender gap” matters!

Posted in Rants: Festival Buzz | Leave a comment

Cannes ’12 Brouhaha

From The BEZ’ Cannes Diary:

Festival opens to controversy over lack of female-directed films

“Festival Director Thierry Fremaux responded by saying he agrees women lack opportunities to make films…”

Mon Cher M. Fremaux,

Wrong diagnosis = wrong cure. The problem is not the lack of new opportunities for  female filmmakers; the problem is lack of respect for the work already done by female filmmakers. As I demonstrate in my new book Penny’s Picks, the films are there, but what’s missing are the audiences.

We can all agree on this: “Cannes could not, he said, start choosing films based strictly on the gender of the filmmaker.” But the question is this: exactly who is “Cannes” in this instance?

Presumably “Cannes” is a selection committee, so we need to know its make up. Is this committee gender-balanced? Do the number of women on this committee equal the number of men? And are the women on this committee commensurate in power influence, & accountability?

ENOUGH WITH THE PATRONIZING EXCUSES!

THESE ARE THE QUESTIONS THAT DEMAND ANSWERS!

Au revoir,

Penny

Posted in Rants: Festival Buzz | 1 Comment

Gender Gap: HYSTERIA

Tanya Wexler’s new film Hysteria opens in NYC this Fri (5/18) & in Chicago (& elsewhere) next Fri (5/25), so technically I’m still under embargo & I’m not allowed to post a review yet. But since Anthony Lane’s New Yorker review is already posted, I’m putting my gloves on & punching back.

Readers, I have already seen this film twice & I loved it. When I am allowed to review it, you will see that I give it 5 Stars which is my highest rating. This will be my first 5 star review of 2012, & in the whole twelve year lifetime of FF2 I’ve only given eighty 5 star reviews which is ~ 2.5% of the entire FF2 database. (Yup, I just counted to make sure!)

So giving a 5 Star review is a really big deal for me, reserved for films with “flow” AND “heft,” in which “the whole is [certainly] greater than the sum of the parts.”

Now as of today there are 5 reviews of Hysteria posted on Rotten Tomatoes (including Lane’s). Who wrote them? 4 men & 1 woman:

And what do they say? 3 of the male reviews (including Lane’s) are splats. The one positive male critic damns with faint praise (“Light, inconsequential fun”). Contrast this with the sole female critic whose positive review includes this: “the script captures some delicate and intelligent facets of a tensely conflicted era.”

Readers, you know me, so you know I know a great deal about the 1880s (when Hysteria is set). In my research on Jane Addams, I have learned a great deal about both the settlement house movement & the women’s suffrage movement. So who are you going to believe on this subject: me or Anthony Lane?!?

Readers: Here we are in 2012. We’re in the middle of a Presidential campaign & the Republicans are desperately worried about their “gender gap.” (In fact, it seems that one of the things that killed the Gingrich campaign was the animus of female primary voters.) And yet, when I suggest a gender gap in film criticism, the guys scream foul.

But what am I saying that we don’t already know? Women have their own POV. Shocking!!!

No, all women don’t agree just like all men don’t agree, but when the reviews of Hysteria are in, I expect to see the same gap that’s obvious above. Many women will like Hysteria. Many men will not. So please factor that in when you assess the final RT score. Deal?

Meanwhile, here’s my Bottom Line: I laughed; I cried; I had a great time!!! And no, Sir, I did not “fake it,” not once & certainly not twice :-)

Brava Maggie!

 Maggie Gyllenhaal as “Charlotte Dalrymple.” Photo Credit: Ricardo Vaz Palma/Sony Pictures Classics

Posted in Rants: Critics/Journalists | Leave a comment

FREE Labaki Screening

What’s New in the Pond? Allied-THA offers us FREE PASSES to a “Word of Mouth” screening of Nadine Labaki‘s wonderful new film Where Do We Go Now? which is already playing in NYC & opens here in Chgo (& elsewhere) on Friday 5/18.

When: Thurs 5/17 @ 7:30 PM

Where: Landmark Century @ 2828 North Clark

How: Print pass & bring with you on Thursday. Each pass is “Admit Two,” but note that seating is not guaranteed, so come early to make sure you can get in.

"I Laughed..."

Download pass here –> 12May17Free

Note that I have already seen Where Do We Go Now? & I loved it. My review will be posted on Friday (5/18) with comments from my f2f interview with Labaki.

Labaki’s first film was the delightful Caramel which is highly recommended by both me & Rich. In our 2008 FF2 haiku, we said: “Nadine Labaki is a gorgeous, charismatic national treasure.”  My bottom line on both Caramel & Where Do We Go Now?…

I laughed; I cried; I had a great time :-)

"And I cried..."

Photo Credits © 2012 – Sony Pictures Classics

 

 

Posted in zJan's News | Leave a comment

5/17: B&N Postponed!!!

The May 17th event at Barnes & Noble has been postponed due to the imminent arrival of NATO dignitaries & righteous protesters–all on their way to Chicago’s Loop this weekend!

The new date will be June 14 (see below)…

Come to my next Penny’s Picks Book Signing Event!

When: Thurs June 14 @ 7 PM

Where: Barnes & Noble at De Paul Center

Address: 1 East Jackson Boulevard; Chicago, IL; 60604

(Corner of State & Jackson; Chicago Loop)

Posted in Events: Metro Chgo, zJan's News | Leave a comment

AoC Release

Jan Lisa Huttner named 2012 “Agent of Change” by AAUW-Illinois

Click to download Press Release as a pdf –> AgentOfChangeRelease

CHICAGO—Chicago Film Critic Jan Lisa Huttner was honored with the 2012 “Agent of Change” Award from AAUW-IL, Inc. (the Illinois division of the American Association of University Women). Established in 1984, the award is presented annually to a member who has served as a catalyst to bring about positive societal change in the areas of education, equity, diversity, and/or public policy.

Huttner received the 2012 “Agent of Change” Award at the AAUW-Illinois Spring Convention on April 28. She was honored for providing leadership on two projects considered outstanding examples of AAUW’s mission, priorities and initiatives. Each project drew crowds to a special event in 2011: SWAN Day at the Goodman Theater in March, and the 5th annual Jane Addams Day celebration in December.

In presenting the award, Marilyn Lawler, AAUW-Illinois District 2 Director, said: “It is without hesitation that Jan Lisa Huttner embodies the boldness and beauty of a modern, American woman. All forms of media, especially cinema, are powerful avenues toward cultural understanding. Jan Lisa Huttner created a way to begin the necessary changes which will occur in this male dominated arena… Under her direction, Jan advanced equity for women and girls through the WITASWAN ideals and the SWAN Day project.  The 2011 SWAN Day [activities] proved that Jan’s actions are ingrained in AAUW’s mission, purpose, and diversity.”

Huttner is an award-winning author/activist who writes regular columns as well as freelance articles for multiple print and Internet outlets. She received her B.A. from St. John’s College in Annapolis, Maryland (the “Great Books” school), and Masters Degrees in Psychology from Harvard University and the University of Chicago. A member of AAUW Chicago, Inc. for more than 25 years, Huttner has served AAUW at branch, state, and national levels. In addition to her commitment to AAUW, professional memberships include the Association for Women Journalists, the Chicago Film Critics Association, the Illinois Woman’s Press Association/National Federation of Press Women, and the Women Film Critics Circle. Writing under the Blog name “Penny,” Huttner has posted hundreds of reviews of movies by women filmmakers at www.TheHotPinkPen.com. She is author of the 2011 book, Penny’s Picks: 50 Movies by Women Filmmakers 2002-2011, and co-publisher (with her husband Rich Miller) of the website Films for Two: The Online Guide for Busy Couples

One of the reasons we published Penny’s Picks was to let women know they have a voice,” Huttner said. “My goal is to persuade women to use their tremendous box office power – not only for themselves, but also for their children – for their sons as well as their daughters. When we choose films written and/or directed by women filmmakers, we put our money where are mouths are – and in Hollywood, those people in the backrooms who tabulate the dollars, they will notice!”  

From WITASWAN to International SWAN Day

AAUW-Illinois’ WITASWAN initiative began in 2002, after Jan read an article in The New York Times which implied that women do not succeed in the film industry because “some women in Hollywood, like female politicians and corporate executives, choose to interrupt their careers to have children.” Huttner’s enraged response, published by the NYT, brought the AAUW Value Promise to the forefront – that AAUW is a community that breaks through educational and economic barriers so that all women have a fair chance.

The AAUW-Illinois Board encouraged Huttner to organize multiple statewide programs which turned into the new project WITASWAN (Women in the Audience Supporting Woman Artists Now) in 2004.  In 2007, the AAUW-Illinois Board invited Martha Richards (Executive Director of WomenArts) to speak at Spring Convention.  Collaboration between Huttner and Richards on the International SWAN Day concept began immediately after.

“I am so happy that AAUW-Illinois is recognizing Jan’s tireless work in support of women filmmakers.  Jan’s passion, energy, and sheer chutzpah have been a constant source of inspiration to everyone in the SWAN movement,” said Richards.

International SWAN Day is now an annual holiday officially celebrated on the last Saturday of March (as part of Women’s History Month). A variety of events celebrating women artists in all media are held around the world throughout the months of March and April — all honoring the achievements of women artists — and the necessary alliance between women artists on the one hand and women in the audience on the other. Since the first International SWAN Day in 2008, there have been almost 1,000 events around the world, including Argentina, Australia, Bosnia-Herzegovina, Bulgaria, Canada, China, Croatia, France, Germany, Ghana, India, Indonesia, Israel, Italy, Jamaica, Kenya, Philippines, Romania, Uruguay, Wales/U.K., and the USA.

Click HERE for more information on WITASWAN and International SWAN Day

“Upon meeting Jan for the first time at an AAUW-IL, Inc. state board meeting, she exhibited the light on her face and the sparkle in her eyes that made you know she was going to run with the idea of promoting change for women in the creative arts… I only see these efforts growing and continuing!” said Alice J. Huebner, AAUW-IL, Inc. President (2002-2004).

Jane Addams Day Celebration

“When the Jane Addams Commemorative Holiday was announced in Illinois, Jan recognized the opportunity and inspired AAUW-Illinois to promote statewide programs… Jan’s dedication has made her an effective Agent of Change in Illinois and worldwide,” said Marla Kim Benziger, AAUW-Illinois State President (2004-2006) and Chair of the first AAUW-Illinois Jane Addams Committee (2007-2008).

The special guest in 2011 was Anita Hill, senior advisor to the provost and professor of social policy, law, and women’s studies at Brandeis University. Hill also appears in Suzanne Lacy’s 2000 film Dinner at Jane’s – now publically available from the Video Data Bank (www.vdb.org) in part through Jan’s efforts. The Illinois-born Addams was the founder of Hull House, as well as the first American woman to receive the Nobel Peace Prize (1931).  

 ###

For additional information, contact:

Jeffrey W. Marden

jeffrey.marden@yahoo.com

773.883.0359

Posted in zJan's News | Leave a comment

Thanks Rick!

Early this morning, master interviewer Rick Kogan managed the impossible–he more or less kept me on track as I babbled away on his AM radio show “The Sunday Papers.”

Here is the audio file (which lasts ~ 20 minutes) –>

http://www.wgnradio.com/shows/sundaypapers/wgnam-kogan-120506-jan-lisa-huttner-pennys-picks-women-filmmakers,0,7194493.mp3file

Rich & I signed in @ the Trib Tower @ 7:15 AM (ouch!). Here we are in “the Green Room” (which is actually orange). I’m nervous, but Rich is clowning around pretending to be asleep. Photos by my publicist, the fabulous Jeff Marden (much loved by the local film critics who specialize in Indie filmmakers).

Thank you, Rick! And please tell your daughter Fiona that everything we do in WITASWAN we do for her & talented girls everywhere who are filling the pipeline :-)

Posted in Rants: Critics/Journalists, zJan's News | Leave a comment

AAUW Naperville

Huge thanks to the members of AAUW Naperville for their warm reception of Penny’s Picks at their 2012 Annual Meeting yesterday! The questions they asked were terrific! And thanks too to my friend Chris Casper who took the pix!

It will take Dana (my fabulous transcriptionist) a few days to get the Word file back to me (she has quite a queue!), but as soon as she does, I will post it here for your enjoyment. Meanwhile, here are the PowerPoint slides –> 12May05Naperville

Posted in Daily Hot List | Leave a comment

A SIMPLE LIFE

Filmmaker Ann Hui (well-known in the East for her long & distinguished career but almost unknown in the West) hits a bull’s eye with A Simple Life, winner of film festival awards last year in Tallinn (Estonia) & Venice (Italy) as well as more predictable wins in China & Hong Kong.

A Simple Life is the story of “Ah Tao” (Deanie Ip). Ah Tao has been a maid for a prosperous Hong Kong family for almost 60 years, but most of the family has now relocated to the USA, leaving her to care for son “Roger” (Andy Lau) a man around 40 who is still single & still based in Hong Kong.

Independent, dedicated & always feisty, Ah Tao is nonetheless reaching her physical limits. One day Roger returns home to find she’s had a stroke. Determined to care for her as she has always cared for him, Roger helps her relocate to a Senior Care facility, & altho she quickly makes friends with some of the residents, he becomes a frequent & devoted visitor.

The narrative arc is a bit too smooth. It’s hard to believe that a man in Roger’s position in life would really be so attentive, & he never gets a fully-developed backstory explaining why he is as we find him (single & still in his old family home).

But the performances are so heart-felt that it’s easy to suspend disbelieve & go with the flow. Ip is excellent as Ah Tao, anchoring the film with an outwardly gentle demeanor that always shows a glint of her spine of steel.

In the end, while A Simple Life is a fascinating glimpse into how another culture manages to care for its elderly, it is a universal story about aging: one person is nearing the end of her life & the other person is helpless to prevent it.

Brava, Ann Hui :-)

 

Photo Credits: China Lion Entertainment

Posted in Reviews: Q-S | Leave a comment

DARLING COMPANION

Once upon a time a long, long time ago, “Baby Boomers” like me (American kids born between 1945 & 1965) were young. We were on the cusp of great possibilities–one of the largest, healthiest, most prosperous generations in the history of mankind. And then the years flashed by & now… well, we’re not so young anymore & our time in center stage is over.

In his new film, Darling Companion, Lawrence Kasdan addresses this dislocation explicitly, aided this time by his wife, Meg, who co-wrote the screenplay.

This is Kasdan’s 11th time in the director’s chair & in that time he’s had several hits, some misses, four Oscar nominations, & many awards (in director, producer &/or writer roles). One of his awards was a Razzie in 1994 (shared with Kevin Costner & Jim Wilson)–”Worst Picture” & “Worst Remake or Sequel” for Wyatt Earp (in which he served in all three primary roles). But RB & I both really liked Wyatt Earp, which we actually consider the best cinematic version  of the oft-filmed Earp saga (& yes, we have see them all). So there ya go. 

Kasdan’s biggest hit was The Bill Chill, released in 1983, when the oldest Boomers were fast approaching their 40s. A once tight-knit group of friends comes together to mourn one of their own, & over a long weekend filled with endless morphing conversations, they each inch forward into full adulthood.

And now, in Darling Companion, the names have changed but the basic character types have remained the same. Kevin Kline, in particular, seems to be the same person he was then, but now he’s in his 60s. In Darling Companion, Kline is called “Joseph.” He’s a prosperous surgeon accustomed to having his own way. His wife is “Beth” (played this time by Diane Keaton). Beth & Joseph love each other & to all appearances their marriage is very succesful, but in reality they’ve long lived separate lives & the gulf is growing ever-wider now that their two daughters have moved off & left them empty-nesters.

Then one day Beth finds an abandoned dog, and loving him, losing him, searching for him, & mourning his loss, provide the frame for a narrative arc (played out with able asisstance from a large assortment of family & friends well- depicted by actors Mark Duplass, Richard Jenkins, Elisabeth Moss, Sam Shepard, Dianne Wiest & Ayelet Zurer) .

But really, folks, although the dogs who play the fictious “Freeway” are perfectly fine canine actors (individually & collectively), Darling Companion is not about dogs. It’s about the ups & downs of walking hand-in-hand with one mate for the better part of a lifetime, realizing that you’re both growing older, & facing the fact that one day one of you will likely have to walk on alone.

Darling Companion has my highest endorsement: I laughed; I cried, I had a great time :-)

All Photo Credits: Wilson Webb/Sony Pictures Classics

 

Posted in Reviews: B-D | Leave a comment